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- <text id=90TT0958>
- <title>
- Apr. 16, 1990: Romance, Mostly Misguided
- </title>
- <history>
- TIME--The Weekly Newsmagazine--1990
- Apr. 16, 1990 Colossal Colliders:Smash!
- </history>
- <article>
- <source>Time Magazine</source>
- <hdr>
- THEATER, Page 86
- Romance, Mostly Misguided
- </hdr>
- <body>
- <p>By William A. Henry III
- </p>
- <qt> <l>ASPECTS OF LOVE</l>
- <l>Music by Andrew Lloyd Webber</l>
- <l>Lyrics by Don Black and Charles Hart</l>
- </qt>
- <p> Not every musical is gutsy enough to make its big ballad the
- first words an audience hears, or to introduce both its other
- showstopper tunes within the next 20 or so minutes. But then
- few composers have the confidence in the spectator--or maybe
- it's just the chutzpah--to recycle the same few melodies over
- and over, in endless allusive variations, for nearly three
- hours.
- </p>
- <p> That nervy economy of means is the trademark of Andrew Lloyd
- Webber, who assumes--correctly, to judge from box-office
- receipts--that theatergoing adults take delight in hearing
- a catchy tune repeated as often as Top 40 songs on teenybopper
- radio stations. In lesser hands (for that matter, in his own
- earlier shows), this repetition can suggest paucity of
- imagination or a kind of melodic stinginess. But in Aspects of
- Love, the London hit that opens on Broadway this week, the
- technique works: the tunes bear repeating, and the repetition
- binds a diffuse story of mostly misguided romance. The impact
- is haunting.
- </p>
- <p> Past Lloyd Webber extravaganzas concerned animals (Cats),
- machines (Starlight Express), wraiths (The Phantom of the
- Opera), icons (Evita) and divinities (Jesus Christ Superstar).
- His delicate and intimate new work, adapted from a 1955 novel
- by Britain's David Garnett, is about ordinary human beings
- learning life's painful lessons. The affections on display
- include the parental, filial and fraternal; but the emphasis
- is on the romantic, which takes place mostly between partners
- of unlike ages and is presented as primarily a process of
- teaching. Events are often melodramatic, but the tone is rueful
- and autumnal. From the opening moment, a tearstained flashback,
- love is treated, to use phrases from the score, as a "happy
- moment" rather than the "journey of a lifetime."
- </p>
- <p> The central characters are Alex (Michael Ball), first seen
- as a boy of 17; Rose (Ann Crumb), the much older workaday
- actress with whom he is smitten; and his silver-haired uncle
- George (Kevin Colson), whom Rose marries for love and money.
- Over the years, all three have flings with Giulietta (Kathleen
- Rowe McAllen), an Italian sculptor, and Alex and George display
- more than familial interest in George's daughter Jenny (played
- by Deanna Du Clos at age 12, and by her sister Danielle at a
- nubile 14). In addition, each of these worldly figures, save
- Jenny, has countless other liaisons. Infidelity is treated as
- a commonplace of sophisticated marriage, jealousy as an
- adolescent joke.
- </p>
- <p> The composer, director Trevor Nunn and designer Maria
- Bjornson have tinkered in various ways since London, but the
- main change is in the acting: the people have been made less
- brittle and more likable. That is in keeping with the cunning
- naivete of the score. The musical highlights are Love Changes
- Everything, a ditty as simple and optimistic as a nursery
- rhyme; Seeing Is Believing, a surge of passion as relentless
- as teenage infatuation; and a melody almost Viennese in its air
- of casual resignation, introduced to the lyric "Life goes on,
- love goes free." Aspects of Love may go on for years. It is,
- however, far from free: the top price is $55, and worth every
- cent.
- </p>
-
- </body>
- </article>
- </text>
-
-